the space between us, 2024
dimensions variable (materials, 36” x 2” x 6”)
steel, sound, space

deconstructed wave, 2018/24
duration ad infinitum

composed 2018 for 17 percussionists
spatialized 2024 for an idiosyncratic array of 13 loudspeakers

percussion, jonathan harris, will heintz iii

[sound]

hidden marsh, 2021/24
21.5” x 65” x 17” (variable; excludes gallery dimensions)
duration ad libitum
bone conductors, glass, electronics, sound

13 moons (for julia), 2024
300 minutes
sound, electronics
[sound]

umbilicus, 2022
for moda critical review, vol. iv, “draft”
[ExcerptS]
[OrdeR]

breathing room, 2022
five works of varying dimensions
mixed media

images:
the perfect resiliency
(detail)
portrait (bell buoy 38, rye beach, ny) (detail)

untitled (viscera), 2022
168” x 208” x 112” (variable)
birch, flax, linen, cyanoacrylate, methylcellulose, sound
[sound]

study, 2021
74” x 43” x 47”
milled birch, cotton, beeswax
[sound]

 

study, 2021
51” x 48” x 6” (variable)
steel, silicone, rubber, acrylic, tie wire, clamps, bone conductors, electronics, white noise
[sound]

placeling, 2021
108” x 84” x 84”
Mixed hardwoods, poplar, beeswax, gouache, stone, rubber, felt, silicone, wax paper, ink, acrylic, spackling compound, waxed cord, sound
[video]

sunpath, 2020/21
public installation, campus arcades, suny purchase
electronics, solar position data (azimuth, altitude), sound
duration ad infinitum

awards:
2020 suny purchase president’s award for public art
2021 columbia university dean’s project grant

[more]
[with]